Dead Letters
...remember why you're here.,,
Dead Letters
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chrisvisions:

Issue #4 is out next Wednesday, have you caught up on #deadletters yet?!
You can find the original art for issue #3’s cover at outofsteparts.bigcartel.com/artist/Chris-Visions
#deadletterscomic #originalart #comics
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chrisvisions:

Issue #4 is out next Wednesday, have you caught up on #deadletters yet?!
You can find the original art for issue #3’s cover at outofsteparts.bigcartel.com/artist/Chris-Visions
#deadletterscomic #originalart #comics
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chrisvisions:

Dead Letters Easter Eggs, part II:. These guys have been waiting a while. Here’s looking at you John Carpenter ;) #thething #deadletterscomic
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chrisvisions:

DEAD LETTERS Easter Eggs:.Issue3:.Part 1:.
"You’re trying to seduce me, Mrs. Robinson… Aren’t you?"
______________________________
"You’re so cool… You’re so cool… You’re so cool…"
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ckck:

Wall Street, New York City by Leonard Freed, circa 1956.
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cinema-snaps:

ROAD TO PERDITION (2002)
Director : Sam Mendes | Cinematography : Conrad L. Hall
cinema-snaps:

ROAD TO PERDITION (2002)
Director : Sam Mendes | Cinematography : Conrad L. Hall
cinema-snaps:

ROAD TO PERDITION (2002)
Director : Sam Mendes | Cinematography : Conrad L. Hall
cinema-snaps:

ROAD TO PERDITION (2002)
Director : Sam Mendes | Cinematography : Conrad L. Hall
cinema-snaps:

ROAD TO PERDITION (2002)
Director : Sam Mendes | Cinematography : Conrad L. Hall
cinema-snaps:

ROAD TO PERDITION (2002)
Director : Sam Mendes | Cinematography : Conrad L. Hall
cinema-snaps:

ROAD TO PERDITION (2002)
Director : Sam Mendes | Cinematography : Conrad L. Hall
cinema-snaps:

ROAD TO PERDITION (2002)
Director : Sam Mendes | Cinematography : Conrad L. Hall
cinema-snaps:

ROAD TO PERDITION (2002)
Director : Sam Mendes | Cinematography : Conrad L. Hall
cinema-snaps:

ROAD TO PERDITION (2002)
Director : Sam Mendes | Cinematography : Conrad L. Hall
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chrisvisions:

Covers 2 thru 5 of #DeadLetters are now up in the store! Cover 1 has already sold, so if your interested go check them out at outofsteparts.bigcartel.com/artist/Chris-Visions
And don’t listen to Maia, tell as many people as you want. She’s being ‘cute’.
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whiskeysocial:

19 30.
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marthajefferson:

georginakincaid:

The word sword comes from the Old English sweord, cognate to swert, "to wound, to cut". 
The sword is symbolic of liberty and strength. In the Middle Ages, the sword was often used as a symbol of the word of God. The names given to many swords in mythology, literature, and history reflect the high prestige of the weapon and the wealth of the owner.
marthajefferson:

georginakincaid:

The word sword comes from the Old English sweord, cognate to swert, "to wound, to cut". 
The sword is symbolic of liberty and strength. In the Middle Ages, the sword was often used as a symbol of the word of God. The names given to many swords in mythology, literature, and history reflect the high prestige of the weapon and the wealth of the owner.
marthajefferson:

georginakincaid:

The word sword comes from the Old English sweord, cognate to swert, "to wound, to cut". 
The sword is symbolic of liberty and strength. In the Middle Ages, the sword was often used as a symbol of the word of God. The names given to many swords in mythology, literature, and history reflect the high prestige of the weapon and the wealth of the owner.
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